Star Trek: Discovery and Trash Talk

Anyone that doubts that words have power should listen to election speeches. Consider how “burning the flag” and “gun control, or “pro-life” and “pro-choice” elicits strong imagery and reactions. Yet people use words, key trigger words, without any thought of their real and complete content. The biggest abuse comes in the form of obscenity, which used to be in the realm of the shock treatment and poorly educated. My parents used to say those that curse too much are simply too stupid or uneducated to express themselves clearly. I now amend that to say “or the person is going to an extreme for the emphasis.” After all, “the damn dog” implies more ire than simply “the dog.”Cuss words

Unfortunately, some words, mostly curses, have become so mainstream and abused that they fail to really shock anymore. They create emphasis and have some offensiveness but the true value of those words is diluted down from over and inappropriate use.

An example of this shows up in Star Trek: Discovery’s the “Choose Your Pain” episode when Tilly, Burnham, and Stamets are discussing the organic drive. Tilly pops off “Oh, that’s so f*cking cool!” and Stamets agrees with the same profanity.

Really, Trek writer guys? By the twenty-fourth century (or whatever), we can’t express ourselves any clearer than that? We can’t move on beyond the use of expletive words as we evolve enough to course through space? After all this is a ship of scientists, military people, and explorers. Some of humanity’s finest.

Did this add anything to Tilly’s character? We already know that she is socially awkward and easily excitable but “That’s so cool!” would have been just as strong and a lot less offensive.  The language jarred me and tainted the whole episode as poor writing.

Do you know what the f-bomb actually means? It is from old English, an abbreviation for a saying that appeared on a type of wedding license stating the couple has permission to “fornicate under the consent of the King.” Think about this definition the next time you use it to describe something like coffee, a video game, or a shout of anger. It doesn’t make sense as “it was a fornicating under the consent of King good video game!” Or “Fornicate under the consent of King you!” It doesn’t even make sense when you focus on the modern definition of ” to have sexual intercourse with”. You can’t do that to the video game or the coffee (as in “this is sexual intercourse good coffee!”). Well you could, I suppose, but it would burn a lot.

Now you may be saying, “Come on, Carla. Everyone cusses.” That’s true. I’ve dropped a number of inappropriate f-bombs in my talking and writing and probably will do so again. But it’s still sloppy speech that demeans me as an intelligent person. In my writing, I use it specifically to show the character is 1) furious, 2) uneducated and base, or 3) out of control. Curse words have a power and a cloud of emotional intent that I try to wield like a fine sword. After all, if a smart character drops a rare “well, shit!” comment, then you know they are either in a great deal of trouble or extremely mad. The well-placed curse can convey a lot of emotional tension when used with finesse. When I find the use of expletives too often in books or movies without any nuances or good reason, the cussing becomes just poor writing.

So Star Trek: Discovery writers, wise up! Write well and avoid the trash talk. Intelligent audiences don’t need it.

 

Language in Films: A Rant

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After anticipating this really cool looking movie for months, I saw Kingsman this weekend and was profoundly disappointed. I won’t go into a review here but other than several enormous plot holes, I was overall disappointed with the fact that the writers took the low road whenever they had the option. I’m not just complaining about the number of profanities that are currently fashionable in Hollywood films, but the fact that crudeness ruled the film. The best example that comes to mind is how far movie dialog has gone from tasteful “You can do anything you like with me, Mr. Bond.” to “If you save the world, you can take me in my —.” The former implied a multitude of sexual offerings without having to ground language in the dirt while the latter left nothing to the imagination and gave at least some of its audience with a bad taste. It also broke the film’s believability in that I doubt that Scandinavian princesses state things so crudely.

Don’t get me wrong. I’ve dropped a few f-bombs and other assorted R-rated words in my work but only to push an effect. The character was crude and nasty or they were simply stupid and incapable of other expression. The film does this as well to a certain degree where the gentlemen rarely cuss and most of the bad guys could not express themselves without a few colorful words and sexually oriented phrases thrown in. However, almost all the young people in the film talked trash. In fact, they were unable to express themselves without having to resort to crudeness of some type.

Hey people in the teenager to 30 set. Are you really so incapable of expressing yourself without nastiness? In your excitement, do you really say “F*** me!” or “What the F****?” If so, you might want to expand your vocabulary a bit. I doubt most people are this crude routinely, however, everyone should realize that the words they say also speak volumes for their attitude, social standing, intelligence, and self-esteem.

Overuse of profanity denotes a lack of intelligence and baseness of character. It is so overused now that its shock effect is pretty much nonexistent. In the enormity of the English language, people can easily find words, phrases, or insults that are more precise, accurate, and effective than the seven or so overused profane ones. So consider being more creative when you talk or write rather than relying on the overused and down in the dirt words. Your self-image and the public one you project to others will rise with this one small change in your daily vocabulary.

Let me know what you think. Is there too much profanity in movies? Does it get in the way of good dialogue or plot?